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This is one of two small versions of the subject painted by Burne-Jones for one of his strongest supporters
they may date from the early 1650s when he seems to have begun painting panels of this type
Forain's interest in themes from the ballet was formed through his friendship with Degas
The glass reappears in a number of van Es's paintings
The view of an imaginary landscape with a classically-draped figure leaning on a mannerist balcony gives the portrait an enigmatic air
The Monastery of Meteora Palmer This is one of two
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