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The Passage "But the Nymph disdains to pine
de Senan 1810
Design for a monstrance
Frederick Carter provided little or no explanation himself regarding the significance of his imagery which combines symbols of established religion with those of mysticism and it is likely that he intended the meaning of many of his images to remain shrouded in mystery
For which this drawing may be a preparatory study
Samuel Shelley O.W.S Pen And Ink Portrait Study Circa.1790 Windsor The Passage "But the NymphSamuel Shelley O. W. S 1750 56 1808. British School 18th. Century Pen and ink drawing on laid paper. Study of a young woman standing by a pillar with a portrait bust at her feet. Circa. 1790. Inscribed to the reverse "another good woman" 15. 4 by 19. 6 cms to mounted image.
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