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returned to psychological horror for this first screen adaptation of Shirley Jackson's the Haunting of Hill House
to cover a Danish festival
an ageless Countess with a beautiful young 'companion' (Goth goddess Andrea Rau) and a legendary legacy of perversion
and are accompanied by an array of essential contextualising extras
All post-coitus
Resurrection (2025) (Criterion) Janus Contemporaries returned to psychological horror forWith his ravishing third feature, visionary director Bi Gan takes his deepest plunge yet into the realm of pure dreamscape. In a world where humans have forsaken dreams in exchange for immortality, a dreaming monster (Jackson Yee) embarks on a shape shifting odyssey through illusion, beauty, and terror that takes him across a century of cinema and to the end of time. Unfolding in five dazzlingly imagined chapters that encompass everything from silent
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