LOUISE NEVELSON "JUMBO" WORKING PROOF LITHO, 1966 American art 1990s fluid strokes of ink loop

fluid strokes of ink loop vertically across the center of the composition

while thin horizontal lines offer a sense of movement

Holzer was the first female artist to represent the US at the Venice Biennale in 1990

Town used printmaking materials in a highly original and spontaneous way

while maintaining the confident control of Town's stylized linework

LOUISE NEVELSON "JUMBO" WORKING PROOF LITHO, 1966 American art 1990s fluid strokes of ink loopCollage was an important part of Louise Nevelson's practice. The process mirrored her approach to sculpture; taking disparate elements and assembling or uniting them into a complex whole. Similar to her American contemporaries, Nevelson delved into printmaking beginning in the early 1950's. She worked with the leading printing studios in America adopting new techniques while expanding her aesthetic and oeuvre considerably. This piece was a working